In development

Fold it until
it bites.

VERMIN is a full West Coast instrument: a wavefolder into a low-pass gate, with the modulation to make both move. No subtractive filter sweep — the timbre comes from folding the wave onto itself.

VERMIN, three-quarter view

On screen

The real thing, full size

A straight screenshot of the plugin, running — no render, no retouching.

Vermin — full view, running

The principle

Add harmonics. Then choke them.

01 — FOLD

The timbre engine

Sine, triangle and saw blend continuously, with FM on top — then a chain of asymmetric folding cells. DRIVE sets how many folds you reach; BIAS reshapes the harmonics radically.

02 — GATE

One signal, two jobs

The low-pass gate couples loudness and brightness on a single control — percussive attack, resonant tail, and a MEMORY that remembers the last hit the way an opto-coupler would.

03 — MOVE

Then set it in motion

An LFO, an AD envelope and an eight-knob matrix push the fold, the bias, the pitch and the FM around — plus an arp and a 32-step sequencer.

The machine

A field radio with opinions

Everything on one panel: oscillator, folder, gate, modulation, matrix, sequencer — and a randomizer per section for when you want to be surprised.

Oscillator, fold and gate sections

The voice

WAVE, FM and RATIO into DRIVE and BIAS, into DECAY, RESO and MEMORY. Six knobs of timbre, three of envelope.

The modulation matrix

The matrix

LFO and envelope, each routed to drive, bias, pitch and FM — eight bipolar knobs, no menus.

The 32-step sequencer

The sequencer

Up to 32 steps with slide and accent rows, loop points, directions — plus an arpeggiator with its own clock.

The whole panel from above

The dice

RND SYNTH, RND MOD, RND SEQ or RND ALL — with clear buttons and INIT when you've gone too far.

In motion

Take a closer look

A 3D pass over the panel — voice, matrix, sequencer.

Honesty section

Still on the bench

  • The engine is measured: 16× oversampling around the non-linear chain, because 4× and 8× let aliasing back in at −46 dB.
  • The sound is validated by ear, milestone by milestone — and that work isn't finished.
  • No date: VERMIN ships when it bites right, not before.
VERMIN, three-quarter right view

Specifications

Under the hood

FormatsVST3 · Audio Unit · Standalone
SystemmacOS — Intel & Apple Silicon (universal binary)
VoiceMonophonic — last-note priority, legato, glide, bend
OscillatorSine · triangle · saw, continuously mixable · linear FM with ratio
FolderMulti-cell, asymmetric — DRIVE · BIAS
GateLow-pass gate — DECAY · RESO · MEMORY
ModulationLFO (shapes, host sync) · AD envelope · 8-slot matrix
PlayArp · 32-step sequencer with slide & accent · tap tempo
RandomPer-section RND / CLR · INIT · Undo / Redo
Engine16× oversampling around the non-linear chain (measured)

A STIGMA AUDIO PLUGIN · 1 VOICE · 6 FOLD CELLS · 0 MERCY